VIRTUAL EXHIBITION
"More is more, less is a bore"—Hugh Grant and Robert Venturi
You’ve probably heard Mies van der Rohe’s quotable summary of the Modernism movement, “less is more.” Architect Robert Venturi, sometimes hailed as the father of Postmodern architecture (though he disliked the term), riffed on Mies’s statement, proclaiming “less is a bore.”
Kirkland Museum’s Founding Director & Curator, Hugh Grant, has humorously adopted Venturi’s sentiment and attached his own phrase—”more is more”—to describe his collecting and display style. The generous displays allow visitors to experience objects as they might in a home, and let visitors “choose their own adventure” in deciding what to look at.
Museum staff, and especially Mr. Grant, find it challenging to choose highlights from the approximately 4,400 works on view, but we recognize the importance of illuminating the stories of selected works. In 2016, 300 collection highlights were chosen to feature on our website, with the intention to add more. Since the Museum temporary closed in March due to COVID-19, our focus switched to providing online-only experiences and the staff have been able to add new content to our website, including 100 more highlights of the collection for you to explore as you “Museum From Home!”
Click on any image below to be taken to the highlight page about the work.
After Dark (Eureka Street, Central City)
Arabesque
Armchair for the Smoking Room, Argyle Street Tea Rooms
Art Deco Armchair
Art Deco Lounge Chair
Art Nouveau Bronze Lamp
Bauhaus Telefon
Black, Green, and Blue (Graffiti Series)
Blackhawk
Bocca Sofa
Canyon Cloudshow
Capri
Celestial Echo
Ceres Prepares for Winter
Chair
Chair from the Grand Salon of the S.S. Normandie
Chair Mountain, Colorado
Chamita Pueblo, Near Española, New Mexico
Circular Composition #118 (Change in Scale #102)
Colorado Landscape
Colorado Sunset
Dark October
Desk Lamp
Explosions on a Sun 80 Billion Light Years from Earth
Fiesta Caliente
Frammento di Tarquinia
Fried Egg Chair
Grasshopper Chair (Model 61)
Handled Iridescent Vase
Hay Field
His and Hers Plate
Illusion
In Allen’s Park (now Allenspark)
Jardinière with Reticulated Grill Work
Kom-Ombo
Lady in Red
Landi Chair
Landscape Fantasy
Leggera Chair (Model 646)
Loetz Vase
Longs Peak (View Near Denver)
Manhattan Halogen Floor Lamp
Mistero di Pompei
Night Into Morning
Nuestra Señora Lamenta por Sus Niños, Victimas de Nuestra Violencia
October Manitou
One Way
Painting No. 20, 1961
Painting No. 21, 1963
Peacock Chair
Phoenix Vase
Pines
Pony Chair
Procyon
Pueblo Street Scene
RAR (Rocking Armchair Rod)
Seated Woman
Sedia Chair
Set Design Maquette for ‘The Student Prince’
Seven Ball Bentwood Side Chair (No. 371)
Shapes & Space
Side Chair
Side Chair (No. 511)
Six-Handled Large Vessel
Stained Glass Window
Studio with Painting of Rosji (in Paris)
The Kirkland Nebula
The Needles, Estes Park, Colorado
The Nixie of the Mill-Pond
The Passage of Time
Three Skin Chair
Toltec Gorge
Tubular Aluminum Armchair (No. 1052)
Untitled
Untitled
Untitled
Untitled (Golden Cycle Mill Near Old Colorado City)
Untitled (Harlequin)
Untitled (Old One)
Untitled (Reds’ Coup)
Vase
Villa Imperiale
Vortex
Willow Tea Rooms Chair
Wings of Gold (#2)
Woman with Flower in Hair
Zephyr Chair
This virtual exhibition was curated by Christopher Herron with additional research and writing by Maya Wright, Becca Goodrum, Sherise Talbott and Kaitlin Morelock. Page design by Maya Wright. Logo design by Peri Marketing & Public Relations, Inc.