Sparton Bluebird Radio (Model 566)
Walter Dorwin Teague (1883–1960, American)
Sparks–Withington Company (1900–present), Jackson, MI
wood, glass and metal
14 3/4 x 14 5/8 x 6 inches
Industrial designer Walter Dorwin Teague’s design for a radio merged Art Deco streamlining with the practicality and function of an everyday machine. The mirrored blue glass front hides the radio workings in the back, while the three metal stripes across the front are elements of the streamlined style of American Art Deco design which often incorporated racing stripes and geometric shapes. Though streamlining originated to minimize wind and water-resistance on aircraft, trains and ships, in American Deco design, it transcended those origins to inspire the look of “things which will never move … simply because of the dynamic quality of this line which occurs in streamline forms, and it is characteristic of our age—this line that starts with a parabolic curve and ends in a long backward sweep,” Teague said. Streamlined design was the epitome of modernity in 1930s America.
Not currently on view
Rear stamped in white, "Bluebird Model 566"
Collection Kirkland Museum of Fine & Decorative Art